These works depict human relationships and emotional damage. In line with overarching themes of ecology, each work comments on how we view ourselves individually and as a whole species. Lieberman is interested in the notion that one action inextricably interlinks with another.
“Without due diligence, love or care, the healthy or unhealthy cycles and patterns will repeat. This will always be our choice. So it is love for each other, and the planet we live in, that will truly make the world go around!” - Linda Lieberman
Being human is as complex as anything on earth. The need to communicate in personal relationships or by casual encounter is a basic need. In this series, Lieberman explores what it is and how it is to be human.
The Relationships series is an ongoing project about the multitudinous variety of emotional partnerships. By initially separating the partners, and giving them no personal choice other than fabric and colour, they reunite for the shoot and see each other unexpectedly in that moment.
Date: 2013
Medium: Colour film onto digital Hahnemuhle Paper
Size: 41x51cms.
Price: £975
Edition: 2/12
Date: 2017
Medium: Colour Film onto Hehnemuhle Paper
Size: 41 x 51 cms
Price: £1050
Edition: 1/ 12
Simon McKay saw me hanging some of my work to do with The Relationships series, and asked if I might be interested in photographing him with his friend who happened to be Fenella Fielding. I knew Fenella as one of the great stars of British Film and Theatre from the fifties, sixties and seventies. (She continues to perform today.) I was thrilled to be asked.
Normally I am strict about separating the couples, but Fenella and Simon have such a close understanding, and freedom together that I withdrew as I observed how instinctively they worked together. They were soon discussing the combinations of fabric they preferred.
Once we started the shoot it was immediately evident that Fenella had complete trust in Simon, and that Simon so instinctively responded to Fenella’s needs or wishes, seemingly before anything was communicated. I thought every shot I took was wonderful, but I chose this image as I felt it particularly conveyed Fenella’s complete faith: Fenella throws her head back in abandon, expressing her happiness in the safety of her relationship with Simon.
Date: 2017
Medium: Colour Film onto Hehnemuhle Paper
Size: 41 x 51 cms
Price: £975
Edition: 1/ 12
Date: 2013
Medium: Colour Film onto Hahnemuhle Paper
Size: 41 x 51 cms
Price: £975
Edition: 2/12
Date: 2013
Medium: Colour film onto digital Hahnemuhle Paper
Size: 41 x 51 cms.
Price: £975
Edition: 2/12
Date: 2016
Medium: Colour film on to digital Hahnemuhle Paper
Size: 31 x 41 cms.
Price: £975
Edition: 2/12
Date: 2013
Medium: Colour film on to digital Hahnemuhle Paper
Size: 41 x 51 cms.
Price:£975
Edition: 2/12
Date: 2013
Medium: Colour film onto digital Hahnemuhle Paper
Size: 41x51cms.
Price: £975
Edition: 2/12
Date: 2016
Medium: Colour film on to digital Hahnemuhle Paper
Size: 31 x 41 cms.
Price: £975
Edition: 2/12
Date : 2002
Size : 16 x 13 x 3 cm
Medium : white marble resin
Price : commisioned award for the Portland Hospital
Edition : Unique
Date : 2010
Medium : to be discussed
Size : to be discussed
Price : to be discussed
Edition : N/A
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Date: 1991
Medium: Resin bronze maquette for a large water outdoor water fountain
Size: To be discussed
Price: To be discussed
Edition: Unique
Date : 2008
Medium : Stone Copper rod, iron resin, twine
Size : 130 x 114 cms
Price : SOLD
Edition : Unique
We all perceive damage in our own distinctive ways. Damage is perceived as a negative, but from it can rise enormously powerful and positive motivators. If we shy away from damage, which is all around us, and do not acknowledge it, we will not learn to grow, improve, and do better.
Date: 2020
Medium: Digital photographic prints on Hahnemühle art paper.
Price: £250
Edition: 1/12
Date: 2020
Medium: Digital photographic prints on Hahnemühle art paper.
Price: £250
Edition: 1/12
Date: 2020
Medium: Digital photographic prints on Hahnemühle art paper.
Price: £250
Edition: 1/12
Date: 2007
Medium: Silver gelatin print
Size:107 x 67cms.
Price: £2500
Edition: Unique
Date: 2012
Medium: Iron resin with metal pieces, framed in an iron frame.
Size: 125 x 94 cms.
Price: £3,500
Edition: Unique
Date : 2017
Medium : Oil Paint, tar, electrical wire
Size: 65 x 80 cms
Price: SOLD in Charity Auction for Grenfell Tower Fire
Edition: UNIQUE
Date: 2019
Medium: Plastic, resin , rope and acrylic paint
Size: 3 x 3 feet
Price: £2500
Edition: Unique
Date: 2016
Medium: Colour Film onto Hahnemuhle Paper
Size: 39 x 49cms
Price: £975
Edition: 1/6
Date: 2016
Medium: Colour film on to digital Hahnemuhle paper
Size : 39 x 49 cms
Price: £975
Edition: 1/6
Date: 2016
Medium: Colour onto Digital Hahnemuhle paper
Size: 39 x 49 cm Unframed
Price: £975
Edition: 1/6
Date: 2016
Medium: Colour film on to digital Hahnemuhle paper
Size : 39 x 49 cms
Price: £975
Edition: 1/6
Date: 2017
Medium: Colour film on to digital Hahnemuhle paper
Size : 39 x 49 cms
Price: £975
Edition: 1/6
Date: 2016
Medium: Colour film on to digital Hahnemuhle paper
Size : 39 x 49 cms
Price: £1025
Edition: 1/6
From the Lifeline Series
Date: 2008
Medium: Colour Film digital Hahnemuhle paper
Size: 55x 57.4cms.
Price: £1025
Edition: 1/12
Date: 2000
Medium: Silver Gelatin Print
Size: 41 x 51 cms.
Price: £975
Edition: 1/12
From the Lifeline Series
Date: 2012
Medium: bitumen tar, plastic, wood, acrylic, resin
Size: 130 x 69cms.
Price: Sold
Edition: Unique
From the Lifeline Series
Date: 2016
Medium: iron resin, oil paint, buckles and cord.
Size: 123 x 92 cms.
Price: £3,025
Edition: Unique
From the Lifeline Series
Date: 2010
Medium: iron resin, steel, wire
Size: 92 x 122,5 cms
Price: £4000
Edition: Unique
This particular piece from the series is in the permanent art collection in the Moorfields Eye Hospital, London.
From the Lifeline Series
Date: 2005
Medium: Plaster oil and steel and resin on board callipers, brass grid
Size: 104 x 67 cm
Price: £2000
Edition: Unique
Date: 2005
Medium: Steel wire, oil paint on board.
Size: 66 x 92 cm
Price: £2000
Unique
Date: 2005
Medium: Dark Stripe is mixed with ivory black with phthalo blue for the colour.
Size: 66 x 92 cm
Price: £2000
Unique
Date: 2005
Medium: Steel wire, oil paint on board.
Size: 66 x 92 cm
Price: £2000
Unique
Date: 2001
Medium: Silver gelatin print
Size: 41 x51 cms
Price: £975
Edition: 1/12
Date: 2012
Medium: Silver Gelatin print
Size: 41x 51 cms
Price: £975
Edition: 1/6
It is an honour to take a portrait of another human being, working collaboratively to find a truth and an honesty that attempts to transcend time.
Date: 2009
Medium: Film onto Hahnemuhle Paper
Size: 41 x51cms.
Price: £1350
Edition: 3/12
Date: 2010
Medium: Colour Film on to Hahnemuhle Paper
Size: 31 x 41cms
Price: £1350
Edition: 2/12
Date: 2008
Medium: Colour film on to digital Hahnemuhle paper
Size: 41 x 51 cms
Price: £1500
Edition: 2/12
Date: 2010
Medium: Silver Gelatin Print
Size: 41 x 51cms
Edition: 1/12
Price: £975
Date: 2002
Medium: Silver gelatin print
Size: 31 x 41cms.
Price: £975
Edition: 2/12
Date: 2014
Medium: Silver Gelatin Print
Size: 41 x 51 cms
Price: £975
Edition: 2/6
Date: 2009
Medium: Silver Gelatin Print
Size: 41 x51 cms
Price: £1350
Edition: 3/12
Highly Commended Award for the L.P.A.
In this section each individual work comes from a deeply feminist perspective, depicting moments of truth that illustrate wrath, gender inequality, imprisonment and enduring female strength.
Date: 1995
Medium: Bicycle wheel and painted high heels
Size: 100 x 70 cms
Price: Sold
Edition: Unique
Date: 2014
Medium: B/W photo onto Canvas mixed media
Size: 100 x 70cms.
Price: £2500
Edition: Unique
Date: 2008
Medium: Wood, copper, feathers, oil paint
Size: 95.5 x 60 x 21 cms
Price: £3500
Edition: Unique
'Can't speak, just breath'
Marble, Bandage, Resin, Seeds, Cages and a Butchers knife
Date 2009
Unique £3500
Date: 1999
Medium: Copper Resin on slate
size: 36 x 14 cms
Price: £925
Edition: Unique
